Investigating the common themes of the story "Pir Rabab Nawaz in Attar's tragedy" with "Pir Changi in Rumi's spiritual Masnavi" from the perspective of form and meaning
DOI:
https://doi.org/10.61841/hvfdrs16Keywords:
Story, form, meaning (form and content), common themes, story patternsAbstract
Finding common themes and concepts in similar stories, both in form and content, set in the same era or over a longer period of time leads us to the conclusion that many poets and writers are influenced by a particular school. Or a person has become an indicator and has brought his various ideas closer to it in form and meaning and has produced different results.
Since Rumi has been influenced by Attar's thoughts in composing and creating his poetic stories in the book MasnaviManavi and has followed them in many cases, by comparing and examining the stories and anecdotes in the works of two precious poets, concepts and themes can be found. Common found that the high frequencies in the works of both indicate the importance of their mystical ideas.
In a study of about thirty-four (story or anecdote or story) between the works of two great poets have some commonalities, some have common characters of time, place and the rest of the components of storytelling, however, some in different final results. . .اندRegardless of the components of today's storytelling, the observance of which adds to the quality of the story, in this quest and the allusions that will be made, only the general aspect of it will be considered and other cracks (story, anecdote) will also be called stories.
Although Attar was a pioneer in the field of storytelling over Rumi, but in general, the observance of some components of storytelling based on modern patterns can be found and matched in both poets.
Downloads
References
1. The Holy Quran, translated by Mohammad Mehdi Fooladvand.
2. Ashrafzadeh, Reza, 1374, Ab-e AtashAfrooz (excerpt from Hadighat al-Hadiqah Sanai Ghaznavi)
3. Hafez, Shamsuddin Mohammad, 2005, Hafez Divan, edited by Mohammad Qazvini and Qasem Ghani,
Tehran, Ministry of Culture and Islamic Guidance.
4. 4. Zarrinkoob, Abdolhossein, 1988, Bahr Dar Koozeh, Sokhan Publications,
5. Zamani, Karim, 1390, 5. Fih Mafia (full description), Tehran, Moin Publications.
6 .----, -----, 2007, Comprehensive description of Masnavi, Tehran, Information Publications, 7 volumes, eighth
edition. 7. Sepehri, Sohrab, 2009, eight books, Tehran, Tahoori Publications
8. Shirazi, Forsat al-Dawlah, 1996, Bahura al-Alhan, Tehran, Foroughi Publications,
9. Forouzanfar, Badi-ol-Zaman, 1982, Sources of Masnavi stories and allegories, Tehran, Amir Kabir
Publications, second edition.
10. Molavi, Jalaluddin, Mohammad, Ghazaliyat Shams, edited by Mohammad Reza ShafieiKadkani, 2008,
fourth edition, Tehran, Sokhan Publications
11. Attar, Farid-ud-Din, Misyabnameh, edited by Mohammad Reza ShafieiKadkani, fifth edition, 2009, Sokhan
Publications
12. Safi Alisha, Hassan Ibn Mohammad Baqir, 1999, Tafsir Safi, Manouchehri Publications
13. Mohammad, Ghazali, Alchemy of Happiness, edited by Ahmad Aram, 1998, Ganjineh Publishing, Tehran
14. Noor Ali Elahi, Borhan al-Haq, 1987 Jeyhun Publications, Tehran
Downloads
Published
Issue
Section
License
You are free to:
- Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
- The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
- Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation .
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
